Recombinant Nocturnes
Ruth Neville Daniel Koppelman, piano
Music of Benjamin Broening for piano and electronics
Double Nocturne
Nocturne Fragments: Mercurial
Nocturne Fragments: Remote
Nachtlied (Second Nocturne)
Nocturne Fragments: Gentle, tolling, flexible
Nocturne Fragments: Flexible, mysterious, resonant
Nocturne/Doubles: piano and electronics
Nocturne Fragments: Aggressive, bright, eventually giving way
Nocturne Fragments: Eternal
Nocturne Fragments: Tenderly (i)
Nocturne Fragments: Tenderly (i)
Third Nocturne: piano and electronics
Nocturne Fragments: Tenderly (ii)
Night Falls (Nocturne Loops): four pianos
Listen and Purchase Review Program Notes
escapement
daniel koppelman
music for piano and electronics
Disc 1: CD of selections
Disc 2:
DVD with 5.1 channel surround mixes of each composition plus additional commentary and footage.
Benjamin Broening - Nocturne/Doubles (2001)
William Kleinsassser - Quintuple Escapement (2003)
Daniel Koppelman - digitalisman (2002)
Eric Lyon - Psychic Driving (2000)
James Mobberley - Voices: In Memoriam (2001)
Christopher Dobrian - Unnatural Selection (1996)
Wayne Peterson - Four Preludes for Solo Piano (2000)
Digitalisman
daniel koppelman
keyboards
Koppelman - digitalisman (1997)
Koppelman - Pleasant Under Glass (1994)
Koppelman - Three Preludes for Processed Piano (1998)
Christopher Dobrian - Unnatural Selection (1996)
Koppelman - Re:Play (1992)
Koppelman - Simple Harmonic Motion (1991)
Koppelman - rorondondo (1994)
duo runedako
ruth neville daniel koppelman
Multiple Keyboards
Claude Debussy - En Blanc et Noir (1915)
Mel Powell - Setting for Two Pianos (1988)
runedako - Simple Harmonic Motion (1991)
Paul Davies - Titanic: From the Ocean Floor (1989)
Daniel Koppelman - Re:Play (1992)
Perspectives
Interplay, for Piano Four-Hands and Orchestra
Czech Radio Symphony Orchestra, Vladimir Valek conductor
Ruth Neville, Daniel Koppelman, piano
David Gillingham, composer
“The piece unfolds in an augmented presentation of material heard in the first theme of the piece, accompanied by a pandiatonic ostinato in the piano primo and cascading woodwinds… An extended coda brings the work to a rousing close.”
...David Gillingham, composer
Listen and Purchase Review Program Notes
Sock Monkey
Ruth Neville Daniel Koppelman
Piano four-hands and live electronics
Mark Applebaum - On the Nature of the Modern Age
Piano duo and live electronics, (2005)
“…a piece that incorporates live sampling, hence the work is built on the accretion, transformation, and subsequent attrition of sounds.”
...Mark Applebaum, composer
Listen and Purchase Review Program Notes
